THE MANIFESTO CONTROLETTERARIO
Alain Santacreu
The Controletteratura was always resolutely modern - in the sense of the term rimbaud, that is to say in advance not only his time, but on the same time. Therefore, rather than the story of the disappearance literature, the story controletterario is the site of this disappearance, his center of gravity, the epicenter of the transcendental charm of the story by itself.
controletteraria The work was endless search for every hour of his source, who appeared as they disappeared literature.
It is a resistance to linear thinking, a certain idea of \u200b\u200bwriting. For controletteratura, the novel is a sphere.
leave, to live the adventure, the words come alive, be, do you remember something not yet occurred; write, remember what you have to come - Because the writing is conversion, reversal, reversal: the transmutation of linearity in sphericity.
That desire to write before desire
This writing is the transforming work of man on himself while he exceeds its present state, the carving - he comes in Clairvoyance starting at the wounds of a sublime eternal recommencement.
controletteratura The desire to write comes from that which anticipates the desire. It 's a diagnosis opera, I can not say more - because you should not say it all.
Each language has its particular scent of nostalgia in which the original writing - H ӧldering in German so pure that it becomes unbearable for ever, so the aroma of Provencal 'Dante's Italian, English fiery William Butler Yeats.
All these words, which come dall'effusione nostalgic soul, are gl'invisibili anchorages controletterarie scriptures, whose oriflammes not allow themselves to read that in a certain state of stillness of mind.
Why controletteratura è la reazione del linguaggio contro l’entropia letteraria, una resistenza intima delle parole per preservare la lingua, impedire che trasgredisca i confini nihilisti al di là dei quali il ricordo dell’essere si smarrisce.
L’unico sentiero amoroso
Scrivere è limare le parole. E Nerval l’ha scritto nel suo Angélique , “esistono diversi tipi di reazioni: alcune vanno per scorciatoie, altre reazioni consistono nel fermarsi”.
La reazione controletteraria s’avanza per sentieri traversi, obliquità ultime del return to life - returns disconsolate, deflections past, initiation, the only path towards love, deliciously purple, the living semiological.
Why controletteratura heralds the advent of extreme what Nietzsche called the "great history", namely: the irruption of eternity into history, the time of the "Iero-history" - according to the extraordinary neologism Henry Corbin.
front of the ontological literature alienated from oblivion, the controletteratura remains the ultimate freedom of writing.
It results from the interaction patient spent in all age groups, the biographical and apparent: it is putting into the dialogue of life - the alchemy of the verb, the simple theurgy.
Gérard de Nerval was, in France, one of the great resurgences controletteratura based on the assumption of absolute of the French language.
Every assumption of absolute human tongue suddenly causes the descent of the Paraclete Word, the source from the very heart of this language.
Writing can not be anything other than literature or controletteratura, this original choice of giving his apocalyptic sense. The controletteratura della fine sarà celebrazione della fine della scrittura, ultimo combattimento dell’essere e del nulla.
Tra il dio nascosto del mondo e il mondo dell’uomo
Scrivere è fantasticare, ma non è sognare – perché nel fantasticare lo spirito è presente, e il fantasticare è lo stile del sogno. Si tratta di fare in modo che la parola si commuova della sua propria immagine interiore: così concepita, la scrittura si avvicina alla preghiera.
La funzione delle parole è femminile, ambivalente – le parole sono simboli; e la catena dei significanti may dispose of the man or release him. There is a logic of the imaginary language could be reflected in the dark hours of unconsciousness automatic, now in the light of spiritual superconscience.
words possess their own dynamic that unfolds and grows under the energy attached to them. Faced with this language of transcendence, the heroism of writing is to discover the place of apprehension of the same language - unique place where you can leave and virginal capture the legendary unicorn.
Because between the intelligible and the sensible, that is, between the god hidden in the world and the world of man, lies the utopian reality of writing, the sacred dimension of 'inter- said, the embodiment of the spirit which is the abode of the divine presence in our world, "Sophia" of Christian Gnosticism, the "Shekhina" of the Jewish Kabbalah, the " Fitra "of Islam within.
This place of meditation, on the edge of silence, is that the revelations and transformations, the empty space that is the eternally feminine writing which is the archetypal act of remembrance body of Osiris by Isis. Here the writer sees the world through the eyes of the soul.
In the literature, the center of the person of the writer is bound into unconsciousness. In contrast, from the writer controletteratura is projected in a superconscience scriptural translator in the invisible visible.
mediumship controletteraria This is a mystical man's true. The style is the unthought of the literature. It 's a spiritual capacity given to the writer: the charisma of his own solitude.
But then, what loneliness to the reader and what style of reading? And this simple question: how could two solitudes meet, love each other?
Literature has annihilated if itself in the negation of style, while it remained in the interstitium controletteratura of loneliness, in that place where love s'eterna the desire of lovers - because the intimacy that can not arise in the distance.
controletteratura The principle of not wanting the pleasure for her style is an end in itself, the door of the kingdom. The certainty of the style makes romantic vain hesitations between prose and poetry that flowered the discourse of literary criticism.
The field of infinite transformation
style, the act controletterario stesso, è il solo trasformatore del testo considerato come il campo di trasformazione infinita di una frase unica. La modernità si è edificata sul rifiuto di pensare ciò che la eccede. La funzione della letteratura sarà stata quella di annullare ogni via amorosa della lingua, inafferrabile e insensata ai suoi occhi.
Eppure, è ad una lettura anagrammatica che chiama il testo controletterario; lettura inaudita, che provoca l’insorgenza del Nome nuovo. Solo un lettore zelante saprà leggere la scrittura eretica, eccezionale, questa lingua solitaria, sgorgata dal cuore del Verbo, questo contro-canto trovadorico.
Tanto quanto insurrezionale, la controletteratura resurrezionale will be, doing what work life, in literature, is nothing but a dead letter.
What does not belong in the literary field, the otherness controletteraria, never will be the language of master and slave.
It is writing of the resurrection of the party rejected, and alienated nearly abolished our being to be an ultimate elegance, a certain beauty after all.
Translated from French by Letizia Fabbro (Alain Santacreu, The Manifesto contrelittéraire, 1999)
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