of Piero Vassallo
Gramscian hegemony is real opinion journalism deployed in bars and cabaret, domesticated sources representing a Right populated by violent, depraved, illiterate idiots. Although libraries, places where written word supersedes the chat disheveled, the volume of high culture is restricted communist and certainly less than the culture of the Right.
A thorough survey of the Right Publishers contemplates the existence of more than fifty qualified individuals, some of them as Rusconi, Il Borghese, Fox, The Circle, Upstream, Logos, Aurora Borealis Florence (publisher History Truth and Novum Imperium ), ninety, Solfanelli, Thule, Effedieffe, ISSPE, Dino, Asefi, Ar, Faith and Culture ) have or had strong and interesting catalogs.
not negligible is the contribution of the cultural weekly magazines and area: Candide, Le Bourgeois, Ace of clubs, of Meridian Italy, The National, La Torre, free pages, The Italian, Yard, New Order, Tabula rasa, The West, Tomorrow, Action, Character, Civil Order, The State, The Messenger, Novum Imperium, etc..
The external causes of the lack of success of culture upstream of the Right winning in the voting booths, are all too familiar: the disinformation organized by the powers that be, the journalistic conspiracy of silence, the hostility of the educational bureaucracy , the obstruction distributors and booksellers who are the market, the influence of a publishing depistante Masonic generously funded.
But it is not permissible to delay the obstinacy of the question on the internal causes that lower the profile of the culture of the Right.
unexplored are indeed the endogenous causes of poor reception that the players belong to the silent majority of the reserve supply their publishers.
Now, the primary cause of the low uptake of publishing on the right is the uncertain boundary between culture and political rivalry between politicians and therefore foreign to the culture and intellectuals in search of space policy.
The emerging young scholars Right after the war ( Giano Accame, Fausto Gianfranceschi Pino Rauti, Fausto Belfiori, Enzo Erra, First Siena, Silvio Vitale, Fabio De Felice, Giuseppe Tricoli ) have never said their strangeness to pure politics, indeed have been formed in current .
This unwise choice has fed the distrust and jealousy of the professional politicians, who (with the exception of Ernesto De Marzio ) hindered dissemination of new ideas and the success of their bearers.
Nell ' optical occlusion reads the questionable choice (for this writer) made by the secretary of the party MSI, Giorgio Almirante, who gave the field of culture Armando Plebe , a meteorite that most alien to the tradition of refractory Right. Plebe was chosen because it perfectly isolated in the MSI, then unable to bear the slightest disturbance to the manipulator politician.
The conflict in Msi politicians opposed to scholars has then extended to the center-right magnified. If it is a subsidiary of that conflict, a humiliating and irritating mediocrity of politicians oberanti Right, it is certainly nephew.
E 'pitiful pathetic to recall the appointment (for posts in the ministries of Culture and Education) personality without losing quality, and to the right of men were active as thick Giano Accame, Fausto Gianfranceschi, Roberto De Mattei, Stefano Zecchi Buscaroli Piero, Gaetano Quagliarella et al.
an underestimate due to difficulties of publishing lies in the hegemony exercised the right evolved from the thought. Schooled by the initiate Arturo Reghini, Julius Evola was the glittering herald of atheism covered by the sacred apron René Guenon. Unfortunately, the suggestion comes from the oblique and pounding pages evoliane handed indifference and / or contempt of the young missini the works of philosophers of very different thickness, such as Giovanni Gentile (an author whose final conversion to Catholicism has been demonstrated recently) , Francesco Oreste, Giovanni Papini, Giuliotti Domenico, Nicola Petruzzellis, Balbino Giuliano, Guido Manacorda, Marino Gentile, Carmelo Ottaviano Augusto Del Noce.
Causa seconda del debole impatto dell’editoria di Destra e dello sconcerto dei lettori fu (ed è ancora) l’incontrollata esorbitanza del pluralismo ideologico.
Nel dopoguerra gli esponenti della cultura di Destra hanno infatti attuato una politica editoriale conforme alla libertà d’opinione concessa dal regime fascista, che, forte della sua identità, permetteva il dibattito fra gentiliani e antigentiliani, tradizionalisti e futurista, strapaesani e stracittadini. Malauguratamente, gli intellettuali dell’area missina non hanno tenuto conto di quel fermo indirizzo della politica fascista, che l’amareggiato neopagano Evola definì “vittoria the neo-scholastic. "
Hence the Scatter of cultural identity in a variety of doctrines often eccentric and almost always confusing and unclear.
Where it was necessary to the cultural unity in the discipline, the right of the cultural industry has offered a record called the mind plural throwing on the market an embarrassing assortment of authors in order (eg Marcel De Corte, Thomas Molnar, Marino Gentile, Nino Badano ) and writers gathered in the grasslands of the scenic variety: Guénon and Nietzsche, Cioran and Junger, Celine and Drieu la Rochelle, Goldwater, Kirk, Zolla and De Benoist, Davila and Leo Strauss, Pirandello and Mishima, and Pitigrilli Calasso, D'Annunzio and Pasolini.
scenario twilight courage and determination of some contemporary scholars (such as Giulio Alfano, Sandro Giovannini, Thomas Romano, Angelo Ruggiero, Cecchetti Valentino, Roberto Manfredini, Peter Joy and Alberto Rosselli , editor of renewed every two months and unconventional History Truth ) operating outside the control of the devastating caste is still trying to achieve unity still exists over the souls of the right schismatic e frantumata.
Ora, come è noto, la ricostruzione della perduta unità di pensiero comincia dalla riappropriazione della ‘Verità’ sul passato. L’intelligenza separata dalla memoria, infatti, sprofonda nel vuoto il cui colore tenebroso si legge nelle espressioni livide e desolanti dei divorziati dalla storia (gettati in politica).
A questo proposito, l’emblematico titolo della Rivista diretta dal già citato Alberto Rosselli , cioè Storia Verità , esprime dunque l’ardua intenzione di ricominciare dal punto in cui l’editoria e la politica di right have lost their memory, to throw himself into the vortex of the grotesque mode of transit.
(from the web magazine 'The Culture', February 3, 2011)
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